#genuinely thank you so much anon

[kokokoula]

hi!!!!!! i love tsukki like i love food sooo i have an ask if they’re open!! tsukki x reader who would rather lay in bed n rot than take care of themself please 🥹

in bed for the day

a/n: i've been wanting to do this request for a while now because i totally relate. so sorry if this wasn't what you envisioned, but i hope you still like this! also to anon, please read the tags i left at the bottom of this post, i'd appreciate it 🙏

---

"it's the holidays, you should go out more!"

your parents had said previously, but, as lazy as it sounds, you solely want to stay in the comfort of your bed for, maybe, hopefully, until semester starts. you know you should take their advice, and you really wish you could, but the bed is just so comfortable, and outside is so... ew.

there's a knock at the door, and assuming it's your mother trying to get you up for the umpteenth time today, you bury yourself further under the covers.

"mum, please, for the last time–"

"hey, shortie, check again."

at that familiar snarky voice, you immediately sit up. sure enough, tsukishima stands at the door with a cocked eyebrow, unamused, and a bag over his shoulder.

"kei! what are you doing here?" your face lights up at the sight of your boyfriend.

"your mum called." he states as he settles his bag on your desk. you groan and fall back into bed.

"she called you to get me up, didn't she?"

"yea."

"i'll let you know that i refuse to leave this bed."

"i'm not going to." he interrupts as he makes his way to you. you squint your eyes at him. "huh?"

tsukishima lies down on his back beside you, staring up at the ceiling. "i'm not going to bother getting you up. knowing how stubborn you are, it's a lost cause."

you don't know whether to feel relieved or offended. "so what are you here for exactly?"

kei turns his head a bit towards you. "i'm staying in bed with you to keep your lonely ass company."

you grin widely and move over to him to wrap your limbs around him. "you love me so much."

he clicks his tongue at that and rolls his eyes, but he pulls you closer to him and nuzzles his face in your neck.

"unfortunately so."

---

tsukishima had brought over slices of cake and onigiri from the convenience store, and a large bottle of water for the both of you so that you didn't have to leave the room.

your mother really should have known better than to call him up to bring you out. after all, kei likes to hole up in his room too, and with you in his arms, he wouldn't be leaving anytime soon.

[gabe-lovebot]

councilor 3D model

i learnt 3d modelling from the ground up to bring him to life. he's yours now. do whatever you want with him

[link]

please credit me if you make something using the model (or even ping/link me to it, i would love to see what you made!)

currently available as a .blend, .fbx and an SFM port.

[mschismosa]

your yuri tgaa art is life changing

hi anon idk who you are but thank you from the bottom of my heart, ily, you've inspired me to draw today 🩷

[xxplastic-cubexx]

Snap: *draws a Megaman-inspired Magneto*

Me: ...Perfect modernization.

wait now that its not 3AM i can do you one Slightly better

bonus:

[tubbytarchia]

hello hello may we have some meangills for the people in the back /nf :,3

your art is very hpdhldhlkgkdgkgdkgd i love it sm youre one of my fav artists-

You can have this thing I sketched on a bench in the park today before bugs started eating me too much and I begrudgingly left

[iridescentmirrorsgenshin]

I have no other place to yap this to so I apologise in advance.

I find it interesting in Alhaitham and Kaveh’s voicelines they tend to talk about each other A LOT in a way of complaining. Such as in Alhaitham’s Good night voiceline where he says that he’d prefer that Kaveh wouldn’t be home at all because all the chaos and noise he makes in the dead of the night. Or in Kaveh’s Good Morning voiceline where he says that he hopes that you don't run into someone who ruins your day first thing in the morning.

I guess it’s what makes other people think that they despise each other’s company. Yet they’re always viewed as a pair and Alhaitham could’ve kicked Kaveh out of the house ages ago. But what’s your opinion on that?

Hiya! there's no need to apologise, this is a safe space for all haikaveh! When I tell you your ask is scratching my brain I mean ITCHING, I have so many thoughts about this part of their dynamic so thank you for enabling me <3 This turned out to be rather long, so I hope it’s helpful to you!

The contention in both Alhaitham and Kaveh’s character stories and voice lines seems to be to create intrigue about the two as individuals, and, in turn, their relationship.

Alhaitham’s ‘good night’ voice line instantly serves as a contradiction to his character. It’s interesting, and telling, that Alhaitham, who is essentially Kaveh’s landlord, and mentions this within his fourth character story, alludes to Kaveh by using ‘roommate’ rather than ‘tenant’. ‘Landlord’ evokes a position of authority over the tenant, whereas ‘roommate’ indicates an equality between two people sharing a house – since it’s Alhaitham who advocates for the term ‘roommate’, it’s telling that, as opposed to what Kaveh believes, Alhaitham wants to establish equality between them.

In terms of what Alhaitham says in this voice line, it explicitly raises a contradiction in the form of a question: if Alhaitham is truly bothered by his roommate’s antics, why doesn’t he simply evict Kaveh?

This is relevant as this question is also posed when we initially meet Kaveh within the Archon Quest, as Kaveh states he dislikes Alhaitham’s personality, to which Alhaitham responds by saying if he bothers Kaveh so much, Kaveh always has the option to move out of the house – to which Kaveh perceives as a threat, only to then dismiss this as Alhaitham ‘changing the subject’, which seems to mean that this ‘threat’ is taken as baseless. As this isn’t called back to, this seems to be the case.

There is no real threat of eviction, and regardless of their disputes, Alhaitham ultimately gives Kaveh no ultimatum to move out. In fact, as discussed here (page 27), as we are meeting Alhaitham and Kaveh for the first time, Alhaitham allowing Kaveh to live with him contradicts his established character of living a life free of inconvenience. This instantly creates intrigue around his and Kaveh’s dynamic – who is Kaveh to Alhaitham for this exception to be made to Alhaitham’s peaceful way of life?

(An additional note of interest is that Alhaitham’s solution to the noise problem seems to be more uncomfortable than calling on Kaveh and telling him to stop his work. Alhaitham says that he’d rather not wear his noise-cancelling earpieces to bed, implying that he does so when noise is a problem at night. However, there’s no mention of Kaveh being stubborn when confronting this issue, which is why he takes to wearing his ear pieces, or any mention of confrontation at all. From this voice-line, it seems that Alhaitham avoids interaction by opting for the least comfortable option, which can be a contradiction to his character. As this is a rather brief voice-line, it’s difficult to ascertain why, but I like the idea that Kaveh is productive at night, and Alhaitham prefers not to impose on Kaveh’s work process – but this is more a headcanon than evidenced interpretation.)

Returning back to the contradiction within this voice-line, at a surface glance, this does appear to be a general complaint about Kaveh, and this can be found in Alhaitham’s lines about Kaveh, and also when discussing Tighnari. Alhaitham refers to Kaveh as ‘overly sensitive’, and ‘constantly making a fuss’.

These can easily read solely as complaints, but when looking to the original CN translation, another interpretation can be found here. Alhaitham describes Kaveh as ‘caring’ or ‘tender’, which is exactly how Kaveh is described within the 3.6 special program (as per minimushiroom on twt), which can allude to how Kaveh is considerate to a fault, in that this serves as a detriment to himself.

This can be seen in Alhaitham’s other Kaveh-centred voice-line, in which he describes Kaveh buying keychains in order to provide meals for sick children, even though healthcare is free in Sumeru. Alhaitham clearly holds the view that this was a redundant action, as Kaveh, being in debt, most likely doesn’t have the money to spend on such investments that are, evidently, dubious.

As Alhaitham provides a rational view here, this contrasts with Kaveh’s act of generosity fuelled by emotion – which highlights the contention Alhaitham has with Kaveh, in that Kaveh places himself in dangerous situations for the sake of others. However, as this can be perceived as a solely derisive line, this essential context is lacking, and can be easily misconstrued. (I think the EN translation here also coincides with this narrative, as minimushiroom notes that the original CN has Alhaitham refer to Kaveh’s sensitivity in a positive way, rather than contemptuously, as the English can be interpreted as.)

Kaveh, similarly, can be seen to complain about Alhaitham in his own voice-lines. This can be seen in the 'Good Morning' voice-line you've mentioned, where Kaveh complains about having to see Alhaitham in the morning, which 'ruins' his day. Additionally, Kaveh's voice-lines discussing Alhaitham refer to Alhaitham as ‘infuriating’ and not wanting to give Alhaitham the satisfaction of thanking him, despite Alhaitham helping him out. However, there is more nuance in these voice-lines than Kaveh simply ‘disliking’ Alhaitham, as this dislike is never stated - rather that he and Alhaitham have a difficult relationship in comparison to the ‘close’ friendship of their past.

Kaveh describes their relationship being a ‘mixed bag’, of both negatives and positives, as well as establishing a thorough understanding of Alhaitham, where other people may misinterpret Alhaitham as they ‘don’t know him well enough’. Additionally, Kaveh notes that he knows that Alhaitham can present himself in a more ‘likeable’ manner, but that Alhaitham refuses to do so, which refers to Kaveh’s contention with Alhaitham discussed within his character stories. This, in turn, generates curiosity, as it appears that Kaveh holds an in-depth knowledge of Alhaitham that the player isn’t privy to.

Referring back to Alhaitham’s ‘Good Night’ voiceline, the question raised is, if Alhaitham has a problem with Kaveh, why doesn’t he just evict Kaveh? And the answer can be found by digging further into Alhaitham’s character stories. Looking to Alhaitham’s fourth character story, it states that he is aware of the dissatisfaction Kaveh may have with their living arrangement but  that ‘it matters not to him’.

This means that he is aware that Kaveh may be unhappy with having to rely on someone else for a stable livelihood, something which his pride doesn’t naturally allow, but that this is also exacerbated due to their previous falling out and the current contentions Kaveh has with him.

At first, this can seem rather abrasive, which does fall in line with Alhaitham’s egoism as this doesn’t directly impact ‘the self’ (discussed further here), however, what immediately follows is Alhaitham’s belief that he and Kaveh are mirrors, in that his own perspective of the world will be enhanced - in the og CN, ‘completed’ -by Kaveh’s own world view.

The implication generated here with the explicit term ‘mirror’, is that, just as Alhaitham benefits from Kaveh, Kaveh, in turn, can benefit from Alhaitham. (As a side note, it is interesting then that the voice-lines in question can be seen to mirror each other – Kaveh mentions Alhaitham in ‘Good Morning’ whereas Alhaitham mentions Kaveh in ‘Good Night’.)

Returning back to Alhaitham’s character story, rather than merely reflecting each other philosophically speaking, I’d say that this also points to their respective progression as people, not just scholars.

To me, this is reminiscent of what Alhaitham says to Kaveh in A Parade of Providence – being ‘correct’, ultimately, doesn’t matter, as there is no ‘correct’ path in life, meaning that there is no ‘correct’ philosophy to shape and guide a person. Rather, Alhaitham asserts that, ultimately, their opposing philosophies are not the issue that exists between them.

The issue that does exist, then, can be surmised from Alhaitham’s actions during the event (discussed further here), in which he researches into Sachin to gauge his influence over Kaveh’s father journeying into the desert, with implicit hopes of providing closure for Kaveh, and potentially assuaging Kaveh’s guilt. This is a personal act with a personal motive; the underlying motive being concern, as opposed to an assertion of ‘correctness’.

In my opinion, I think Alhaitham’s actions during A Parade of Providence are a direct reference, and fulfilment, of Kaveh’s fifth character story. I’ve discussed here that the main reason for the ending of their friendship was them asserting the correctness of a philosophy over the other, and proposing one philosophy as the ‘solution’ to the other’s perceived flaws.

Here Alhaitham can be seen to use Kaveh’s past as the reason for his excessive altruism, implicitly referring to Kaveh’s guilt over being the supposed catalyst for his father’s demise. This final comment of Alhaitham’s appears to be the first time this has been mentioned between them, and it’s enough to be perceived as weaponisation – leading to Kaveh severing their friendship.

In A Parade of Providence, Alhaitham is shown to only have taken the role of commentator to research into Sachin, whose research we are told (by Kaveh), he has no explicit interest in, and it is heavily implied that the only reason he looked further into Sachin, was to prove to link between Sachin and Kaveh’s father. Alhaitham seems to want to absolve Kaveh of this past guilt in hopes that Kaveh will stop placing himself in the cycle of self-sabotage.

For me, when viewing this as a parallel, it highlights that Alhaitham’s motivation in speaking out during their days as students was out of concern for Kaveh, although while holding egoism as ultimately beneficial, and therefore perceivably ‘correct’. The ‘issue’ they’re currently debating is not expressly stated, and although it is unclear if Kaveh understands the implication (as discussed here), as ‘correctness’ has been overturned, there seems to be little left than the personal.

Relating this back to Alhaitham’s fourth character story, for me, Alhaitham referring to Kaveh as a mirror isn’t just referring to Kaveh as a scholar, but a person as a whole. As Alhaitham seeks to improve himself, personally, through Kaveh, it seems that he hopes to be able to benefit Kaveh in turn.

As for Kaveh’s complaints regarding Alhaitham, these can be contextualised within his own character stories. As Kaveh ultimately severed the friendship between him and Alhaitham, Alhaitham offering Kaveh to live with him, despite Kaveh revoking his previous understanding of Alhaitham (as discussed here, page 67), causes Kaveh to be overtly suspicious.

In Kaveh’s Old Sketchbook, it is mentioned that Kaveh believes there to be an ulterior motive for Alhaitham inviting him to share a house, as he believes that Alhaitham wouldn’t do something for someone else without an exchange.

Kaveh, then, openly distrusts Alhaitham due to this unspoken motive, and although he takes on chores to ease his sense of guilt of being a perceived burden, a contention arises here. Due to their previously ended friendship, and with how Alhaitham hurt Kaveh, and how Kaveh may believe he hurt Alhaitham (discussed here), Kaveh sees no reason for Alhaitham to want him around – he treats their relationship as an exchange, asking what Alhaitham could possibly want for him.

Although Alhaitham views Kaveh as a mirror, and therefore, respects Kaveh’s perspectives, Kaveh can potentially view their opposing philosophies as a negative rather than a positive as he had done in the past (as discussed here), as it, perceivably, was what led to the end of their friendship. In this, Kaveh views Alhaitham as disparaging him and his views. As mentioned in his character story, he has no reservations in telling Alhaitham of his debt as Alhaitham has already seen through him in the past, and yet again, upon meeting at the tavern.

Although Alhaitham perceivably views him unfavourably, and his comments and complaints appear to propagate this interpretation, Alhaitham also seems to have no issue with keeping Kaveh around, and interacting with Kaveh, regardless of the problems Kaveh expressly has with him.

To Kaveh, it could be that as Alhaitham has already seen the worst of him, and appears to have no real issue with their stilted rapport, there is no point in donning a front and using niceties. He is open with his issues with Alhaitham, and, in turn, Alhaitham is open with him.

This appears to be a dual negative and positive for Kaveh, as he describes Alhaitham’s constancy as ‘the most unshakable part of one's past is a friend that will never change’. In this sense, his unsteady rapport with Alhaitham is reliable, and therefore, has no reason to change.

Clearly, there is a large disconnect between Alhaitham’s view of Kaveh and how Kaveh perceives Alhaitham’s view of him. As previously mentioned in the discussion of A Parade of Providence, there is an unspoken ‘issue’ between them, and this can be interpreted as dire misconceptions borne from miscommunication.

As discussed, Kaveh and Alhaitham reference each other a lot in their respective voice-lines and their character stories. This alone is enough to connect them, regardless of the cruciality of their mirror motif, as they are key figures of each other’s past, present, and seemingly, future. Despite this, it’s as you say, there’s a common perception to view them as mutually disliking each other, and, to me, this is based upon their first initial interaction, and the way they refer to each other in their own character stories and voice-lines.

It’s notable that Alhaitham refers to Kaveh in his voice-lines when Kaveh is not explicitly relevant, such as in his Good Night voice-line, and, most interestingly, when Alhaitham discusses Tighnari.

This could be because Alhaitham knows of Tighnari through Kaveh, but as this connection isn’t stated, it reads as Alhaitham mentioning Kaveh for no other reason than to complain about his perceived naivety regarding relations with others. But as this is a voice-line designated to discussing Tighnari, it’s interesting, and incredibly noticeable, that Alhaitham then discusses Kaveh instead. It’s similar to what Kaveh can be seen to do, and is observed to do by others, in relation to discussing Alhaitham.

When it comes to Kaveh, however, his complaining of Alhaitham can be seen to link with his process of dealing with troubles in his work. In his Hangout, he states that he takes his work to heart because he cares about it, which is expressed in the same quest in which Kaveh and the Traveller run into Alhaitham in the House of Daena (discussed further here, page 219).

Drawing a parallel here can further contextualise Kaveh’s complaining of Alhaitham – if Kaveh truly disliked Alhaitham, there seems to be no reason for Alhaitham to remain so relevant to him, both in conversation, and in private thought. Additionally, Kaveh is described as an empathetic person, and when dealing with others, he is thusly seen to look for another perspective rather than act on his own subjective perspective.

Looking at his voice-line on Dori, for example, expresses his distaste for Dori pressuring him for Mora due to his debt, however, he also empathises with her, and states that he senses there must be a reason why Dori acts in such a way.

In contrast, this empathy can be perceived as missing in his treatment of Alhaitham, and therefore Kaveh complaining about Alhaitham can be perceived as blatant dislike – which contradicts Kaveh’s benevolence and empathy, which A Parade of Providence particularly stresses.

Kaveh’s treatment of Alhaitham can be seen as deliberately contradictory, as it can cause the player to question why Kaveh reacts in such a singular way to Alhaitham, just as why Alhaitham reacts in a singular way to Kaveh.

In reference to Alhaitham, whilst Alhaitham tends to complain about Kaveh in turn, his actions reveal him. He invites Kaveh to live with him, gives no eviction date, pays for Kaveh’s tabs willingly, (supposedly) buys wine as an apology, and goes out of his way to ensure dialogue with Kaveh – which contradicts his own character stories, in which he appears to favour solitude, and only greets those he considers his friends ‘with a nod or two’.

Moreover, Alhaitham is established as considering Kaveh a necessity to his ‘peaceful life’ he seeks to maintain (as discussed here), and can be seen to implicitly consider Kaveh one of his priorities within his Story Quest.

The idea that Alhaitham dislikes Kaveh seems to stem from Alhaitham being taken literally when voicing an opinion, or an issue, or simply joking, in reference to Kaveh – despite his character stories highlighting that Alhaitham often uses sarcasm in order to subvert expectations.

Alhaitham expressly states that he prefers to be seen as inscrutable, and unknown, by the general public, and uses subversion as a means to do so. In these character stories, Alhaitham openly encourages speculation of his own words.

Without this context, it seems easy to simplify Alhaitham to purely speaking factually when first addressing Kaveh in the Archon Quest – stating that having to explain things to Kaveh is ‘a nuisance’, and yet, it is overlooked that Alhaitham stays in the House of Daena, regardless, knowing Kaveh would find him again.

On the whole, in my opinion, Kaveh’s feelings towards Alhaitham cannot be simplified to ‘dislike’ as this is dually an inherent misunderstanding of his character, and of his and Alhaitham’s relationship, just as Alhaitham’s feelings towards Kaveh cannot be simplified to ‘dislike’ for this same reason.

In the beginning, Alhaitham and Kaveh are not supposed to be perceived as friendly, as Kaveh denies the association of ‘friends’, and Paimon describes them to the Traveller as ‘problematic’.

The reason for this is due to their character arcs being intertwined – the core issue is posed in Kaveh’s fifth character story, in that the question is raised if a compromise can be reached, if both sides of the mirror, can be balanced. At the beginning, they are entirely at odds, but even footing must be found.

I’ve noticed a shift in online discourse after Cyno’s second story quest, as the progression in Alhaitham and Kaveh’s relationship is noticeable – deliberately, due to the flashback scene within their house (which I’ve discussed in detail here, page 122). To me, it’s more common to form the assumption that Alhaitham and Kaveh dislike each other in the Archon Quest, but with recent developments, and, hopefully, future ones, this perception is being overturned in online communities. Perhaps that’s just wishful thinking, but I’m still hopeful!

[batbabydamian]

Hey, I started reading Robin son of Batman because of your recommendation (I literally have a print of your post on my phone to not forget lol). Honestly? One of the best things I ever read!!!

Thank you for opening my eyes! Damian has been one of my favorite characters for over a year, but I didn't read/watch much of him because of school, life (and probably an executive dysfunction in the mix).

Maya is incredible. I loved her.

I haven't finished all the issues yet, but do you have any other recommendations?

WAH this makes me so happy, i'm glad you still gave it a shot even with how busy life is!! ;v;

i’d love to give reccs, and i’ll try to go a beginner friendly route! tbh you can pick up whatever here, but since you've read R:SOB i’d immediately follow up with Batman and Robin (2011) #1-8! this first arc is what’s referred to in Maya’s introduction, and it's just. so good.

Main Books

Batman and Robin (2009)

Dick as Batman with Damian as his Robin!

#20-22 Tree of Blood: Dark Knight vs White Knight arc is done by Tomasi and Gleason, the team for the next Batman and Robin series

*Batman and Robin (2011)

Bruce and Damian figuring out their relationship as both Batman & Robin and father & son

imo you can enjoy the ride and read straight through this but i’ll add context to avoid as much confusion as possible since there’s the occasional tie-in or offscreen events, like Damian’s death nbd

Batman Incorporated (2012) #1-10

events leading to Damian's death - affects Batman and Robin (2011) from issue #18

kind of a tough read especially with how Talia's written, but a lot of iconic bits like Batcow, Damian's vegetarian declaration, Alfred the cat, "We Were the Best, Richard."

Robin (2021)

another self-discovery adventure, particularly after Alfred’s death and a fallout with Bruce (and questionable writing choices from his last Teen Titans run)

Batman and Robin (2023)

currently ongoing! after a number of events, Bruce and Damian are back as a duo

Damian Dynamics!

Batman: Streets of Gotham (2009) #7, 10-12

arc where Damian meets one of his first Gotham friends, Colin Wilkes

Batgirl (2009) #5-7, #17

Steph and Damian dynamic! "the bad cop, worse cop" dysfunctional duo

Red Robin (2009) #13-14

early Tim and Damian dynamic that of course includes fighting haha. funny enough, accidentally my first intro to Damian LOL

Teen Titans (2003) #89-92

Dick!Batman has Damian join the Teen Titans. Start of Damian and Rose Wilson dynamic that’s extended in Robin (2021)

Batman: Gates of Gotham (2011)

Damian meets Cass and has a brief team up

Gotham Academy (2015) #7

Damian meets Maps Mizoguchi! they have a few other meetings, but outside of that the series itself is a great read!

Robin War Event (2015)

Robin War (2015) #1, Grayson (2014) #15, Detective Comics (2011) #47, We Are Robin (2015) #7, Robin: Son of Batman (2015) #7, Robin War (2015) #2

Duke and Damian dynamic! not exactly beginner friendly but these are the main issues in order for the event! you can also read the TPB version for everything including Tie-Ins

Nightwing (2016) #16-20, #42, #43

#16-20 Nightwing and Robin arc!

#42 Dick on a mission to save Damian! the one appearance of "Wiggles" the dragon

#43 Dick, Roy, and Damian team-up

New Talent Showcase 2018 "Catwoman: Pedigree"

Selina, Damian, and Alfred the cat

Batman: Prelude to the Wedding - Robin vs. Ra's Al Ghul (2018)

Selina, Damian, and Cheese Viking - Damian's fav game shown in Nightwing: Rebirth (2016)

Monkey Prince (2022) #1-4

Marcus Sun Shugel-Shen's main comic, but Damian features as a fun dynamic here before they're in more serious circumstances in Batman VS Robin (2022)/Lazarus Planet event

Superman (2016) #10 - 11

the beginning of the Super Sons! featuring Maya!

Super Sons (2017)

solitary arcs but there’s a few event tie-in issues later

Adventures of the Super Sons (2018)

literally more Super Sons adventures lol galactic shenanigans yeehaw

Challenge of the Super Sons (2020) 

Super Sons time shenanigans feat. the Justice League

Robin 80th Anniversary (2020)

"Boy Wonders" - brief Damian feature as Tim considers his next step in life

"My Best Friend" - Jon's thoughts on Damian and their dynamic

"Bat and Mouse" - refers to Damian's unfortunate Teen Titans (2016) run at the time of release which follows up with Teen Titans Annual #2 where Damian briefly gives up Robin

Extra Comics!

Superman/Batman (2003) #77

Kara and Damian in a Halloween team-up! also the appearance of "Li'l Matches" lol

DCU Halloween Special '09 "Cavity Search"

Damian out on a solo mission for Halloween night. Immediately after is Tim's Red Robin story "Then and Now: Our Father's Sins" which is more somber in contrast but also a good read!

DCU Halloween Special 2010 "Robin the Vampire Slayer"

a Dick!Batman and Robin story featuring the vampire Andrew Bennett

Cursed Comics Cavalcade (2018) "The Devil You Know"

Halloween themed comic with a sweet short story of Damian alongside Solomon Grundy

DC's Terrors Through Time (2022)

"Trick or Treat" a Super Sons Halloween story

"The Haunting of Wayne Manor" Damian and Deadman story - in the end, Boston kinda refers to Nezha's possession of Damian in Batman VS Robin (2022) which was happening at the time of this release

Batman: Li'l Gotham (2013)

lighthearted series that instantly makes me smile with the silliness and Dustin Nguyen’s art i love this dearly

Secret Origins (2014) #4 "A Boy's Life"

a retelling of Damian's origin story

Detective Comics (2016) #1001-1005

Batman and Robin vs the Arkham Knight (unrelated to the game)

Truth & Justice (2021) #6/#16 - 18 Digital First version

cute story of Damian’s birthday! Juni Ba’s art is so fun!!

DC Festival of Heroes: The Asian Superhero Celebration (2021) “Special Delivery”

short story about Damian! and poisoned pizzas. completely forgot the artist Sami Basri drew Rebirth Damian here before catboy Damian lol Cass’s story “Sounds” is also cute! Marcus makes his first appearance in "The Monkey Prince Hates Superheroes"

DC VS Vampires (2021)

Damian makes appearances throughout this elseworlds book, but the one-shot DC VS Vampires: Hunters (2022) is vampire Damian-centric!

Batman: Black and White (2021) #5

“Father & Son Outing” short story written and drawn by Jorge Jimenez!

Batman: Urban Legends (2021) #20-23

#20 “My Son” Talia and Bruce focus

#20 - 23 “The Murder Club” 4 Parts

Tiny Titans (2008) #33, #39, #45, #47

a few appearances but SO CUTE, LOOK AT HIM

*Batman and Robin (2011) reading guide

i'm mostly trying to avoid the "what did i just walk in on?" kinda feeling when i first started reading comics LOL i'll list the comics where events take place, but you don't necessarily have to read them to go through this book since things are usually explained as quickly as possible in the first page or so

#0 Someday Never Comes

Talia and baby Damian before he grows up to meet Bruce

#1-8 Born to Kill

just an incredibly solid arc for Bruce and Damian!

#9 Court of Owls Tie-In Issue

Damian VS a Court of Owls Talon. While Bruce is occupied with a home invasion of Talons, Alfred makes a call for allies to protect targeted Gotham public figures from Talons. During Batman (2011) #1-11

#10-12 Terminus

Damian challenges the previous Robins sans Steph

Batman Incorporated (2012) is occurring at this time where Talia has placed a bounty on Damian and there's small mentions of that

#13-14 Eclipsed/Devoured

mostly solitary arc! end of it leads into the Death of the Family event

#15-16 Death of the Family Tie-In Issues

Damian and Joker face-off... Alfred's been kidnapped by the Joker, and Damian goes looking for him. During Batman (2011) #13-17

#17 Life is but a Dream - Death of the Family Epilogue

a sort of subconscious check-in through the dreams of Damian, Alfred, and Bruce. Nightwing (2011) #17 features Damian encouraging Dick after Death of the Family events

#18 Undone "Requiem"

Bruce dealing with Damian's death from Batman Incorporated #8

other reactions to Damian's death: Dick in Nightwing (2011) #18, Tim in Teen Titans (2011) #18

#19-23 Denial, Rage, The Bargain, Despair, Acceptance

Bruce through the stages of grief with some batfam appearances in each. also introduces Carrie Kelley into continuity as Damian's acting tutor.

Batman (2011) #19-20 also addresses Bruce's loss

#23.1-23.4

these could be skipped - villain stories, also related to Forever Evil event.

#24-28 The Big Burn

optional Batman and Two-Face/Harvey Dent arc, #23.1 is part of this story!

Damian's resurrection and return

#29-32 The Hunt for Robin

Ras took Talia and Damian's bodies from their graves, and Bruce goes after him.

-> Robin Rises: Omega

continues events from #32. if you don't want to jump to this, basically, Glorious Godfrey and a bunch of parademons from Apokolips are here for a chaos shard which Ra's put in Damian's sarcophagus. at some point, Bruce gets a hold of the shard where he sees a vision that leads him to believe Damian can be resurrected. Godfrey ends up taking the shard, along with Damian's body since it was emitting the same energy.

#33-37 Robin Rises

Bruce hellbent on retrieving Damian from Apokolips and reviving him

-> Robin Rises: Alpha

necessary to read and continues events from #37! Damian's back with a bang lol

#38-40 Superpower

Damian adjusting to having superpowers and being alive again

Annual #1 2013 Batman Impossible

sweet (and funny) one-shot of Damian sending Bruce on a meaningful scavenger hunt around the world while Damian gets to be the cutest Batman for a bit

Annual #2 2014 Batman and Robin: Week One

one-shot takes place during Damian's absence. after Bruce and Alfred find a mystery gift left for Dick, Dick recounts a story he had told Damian from his Robin days.

Annual #3 2015 Moonshot

one-shot Batman and Robin adventure on the moon!

...and of course after Batman and Robin (2011), Damian's story continues in his first solo Robin: Son of Batman (2015)!

[rodolfoparras]

AYO ANOTHER FREAKING IDEA STRUCKS ME THIS WHAT HAPPEND WHEJ I HAVE WAY TOO MANY MEN IN MY MIND

(this is also inspired like by one of your fics on cockwarming so)

imagine captain price being damn clingy with you ever since you have joined his team, (maybe you're a higher up like Major or Colonel) and this way he can keep an eye on you for dangers, so he quotes, totally not because he can see you in actions nope

you both are already together so these like eases his worry on you before wether he has to go on long deployment

anyways one day he was cockwarming you under your desk in your office while you doing your work when suddenly you got the feeling to piss

you suddenly scooted away and before you could excuse yourself, price would catch your wrist and ask where are you going?

"I have to go to the toilet, I'll be quick okay?" You tried to tug your hands but alas he gripped it firmly. "Price, I really need to go—"

"Can't you just piss in my mouth?"

THAT caught you off guard. "What?"

"Use me instead." He said so nonchalantly as if he's asking for a treat.

"I—" You tried to tug free again but he only guiding you back to your chair, and kneel back in front. "Price, don't play around I really do need to —"

He called your real name, added with a Sir at the front. He didn't wait for your another weirdly confused response before going down on you, his tongue teasing the slits and his methods are different from how he would suckle your cock, this time he's determined for something.

With how you've been holding back, the yellow streams of piss flows into his mouth and by god is it a lot, but he'd drink an take it, his stomach bloating slightly and he could feel himself coming in his pants from how salty you taste.

He even pumped your shaft to get more, and seeing how happy he is, you coming right down his throat as well, and once again he's happy to swallow

you both panted after that to catch some sanity and clarity, and when he looks up at you to meet your gaze, immediately he knows what's your next demand is, the choice is either the desk or the wall AAAA LORDD

-🪂

JESUS FUCKING CHRTIST??!:!:??; SUGAR BEE IK FUCKINF SCRRAMING THIS IS ABSOLUTELY BEAUTIFUL ANGEL OH MU GOD HELLO!! HELLO?? DO UALL SEE RHIS HELLO

[starpros-sunshine]

Eichi gives away the mask so easily because it was never meant to be an "engagement ring" like you delulu wataeis imagined it to be lmao. It was wataru saying that he will continue playing tsumugi clown role in fine and won't leave it for hokuto's mother troupe after graduation. Do you dumb fucks even read the stories? Eichi didn't even understand tf that mask meant when wataru gave it to him and wataru referenced fucking tsumugi in his "proporsal". I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" when the chapter it happened wasn't even close to the end of ep:link. Cope

PS: how do you live with the fact that Eichi clearly admitted to never being in love in his life and Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives?

I love you anon thank you for giving me a nice reason to ramble again beautiful ask 10/10 I'm sorry this is probably not how you hoped this would go but this is such a funny block of text delightful really thank you for the enrichment please marry me

But okay yes now to get down to the actual ask just to disclaim I am solely relying on translations seeing as I do not speak japanese well enough to understant the original text so if anyone has anything to add to this or to correct me on please feel free to do so.

Now to get started I'm not sure if one could say Eichi gave away the mask "So easily" seeing as he claimed that it was "a hard choice to make"? Which, as one might know, implies unease with an idea and pondering and debating and a general amount of thinking behind a decision so? I know this isn't really the main focus of this ask but I'm just a tad miffed with the semantics of it is all. And in either case giving the mask back to Wataru while expecting it back still shows a certain degree of trust in their relationship it wouldn't have been such a big deal for him (as it apparently was) if the mask didn't have a lot of sentimental value to him (the both of them really if we look at the whole exchange).

Now to the claim that the mask was "only" Watarus promise to stay with fine and "continue playing Tsumugis clown role". This is not entirely incorrect. Regarding the acting troupe and staying with fine bit at least.

I'm assuming this bit in EP:Link Deadend/7 is what you are referencing, and I see where you're coming from. But the bluebird line

from literally three dialogue lines further down, which references this line of dialogue (notorious Eichi line everyone should be familiar with)

kind of somewhat really recontextualises that? Because you see this is a reference to a fairytale about a pair of siblings and they get sent out by a nice fairy to find the bluebird of happiness for her sad daughter to make her happy again so they both go on an adventure and travel far and search and search but they can not find the bluebird of happiness and then when they return home again, disappointed because they couldn't find the blue bird, they realise only one night has actually passed and the journey was probably just a dream. But then their eyes fall upon their pet dove in it's cage which appears blue all of a sudden and so they gift it to the fairies sad daughter which becomes happy again and sets the bird free. The real bluebird of happiness is a dove. At least in the version of the story I'm familiar with but I mean everyone sees the symbolism right? It's. very hard to miss.

And then dropping this?

I'm not sure how to say this properly but in the overall context this makes it pretty clear that Tsumugi has nothing to do with this anymore this is Fully between Wataru and Eichi. And I am the last person to dismiss Tsumugis significance in the course of Wataeis relationship as characters I will be among the first to protest when someone dismisses the importance of Tsumugis and Eichis relationship in favour of some image they have of Wataei but he has nothing to do with this one.

Yes Tsumugi gets namedropped but - again - I don't really see how that would lessen the sentiment Wataru is triying to convey here? Because. Yes. Why wouldn't he mention Tsumugi?

The entire conversation pretty much boils down to "Yes I was initially only in this because I thought I could replace Tsumugis role in your life and then I wanted to leave but we have spent so much time together that I realised that that is definitely not working out because I really do love you. I love you as a teammate; I love you as a friend; I love you as a person and I am very angry at myself for not managing to get that into your head. So please allow me to stay with you for as long as you'll have me." And then also Eichi not understanding because he has the emotional self awareness of a very emotionally unaware loaf of bread and also because he hates himself that is a very big thing about his character huge part of his character arc actually that he. you know? Hates himself? And feels guitly for his actions during the war? And doesn't think he deserves love and companionship? Which is why Wataru wanting to stay with him for him and not for some twisted form of revenge is such an alien concept to him? Because he is projecting his insecurities onto Wataru? As one is wont to do when they hate themself? "EiChi Didn'T eVen UnDErStanD WhAt tf ThAT Mask MEAnt" Yeah. That's. That's the point? So he can think about it and come to that conclusion himself which works as a keymoment in his characters journey from hating life and himself to enjoying being alive and wanting to live on because of the people he's surrounded with? He literally explains why he didn't immediately understand the mask during the EP:Link Epilogue/4

And to get back to the "I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" about which I have two things to say:

"Lying" implies further intent and an effort. Neither of which exist in this case.

He literally went down on one knee while making a big proclamation of offering himself to Eichi with a very personal item that works as a symbol for their commitment to each other on a starlit rooftop. The comparison writes itself.

3. https://en.wikipedia.org/wiki/Joke

And then I expected there to be a proper reason given and instead you proceed to follow that up with "when the chapter it happened wasn't even close to the end of ep:link". I know the shame is on me for expecting something sensical from an ask which has been near constant in it's lack of correct statements but such is human nature I suppose. And you are not wrong. Deadend/7 isn't very close to the end of EP:Link. That is true.

But do you know what Is very close to the end of EP:Link? The Epilogue Chapters 3-5.

Do you know what the content of those chapters is? I do. Very well actually :)

(Eichi literally explains why he didn't get it)

So if this answers your "Do you dumb fucks even read the stories?" questions, Yes. And I think I'm a lot better at it than you. So I'd say I'm coping quite well over here :p

PS: Regarding your PS, I take the "I've never been in love before so I wouldn't know" comment with a lot of humour actually as an aroace person who's emotional self awareness also ends at "good" and "Not good" I think it's very funny all things considered especially because he mentioned the loving Wataru thing several times before that and I'm generally of the belief that actions speak louder than words and also am in a happy long term relationship with the concept of "Reading Subtext". So please excuse me for not breaking down in tears everytime someone reminds me of that one singuar line of text in one of my favourite all time enstars stories that came out three years ago which also brought us the single best card set in the entire game

as well as absolute banger dialogue such as

Among others <33

And there are soooooo many other examples of wataei dialogue that simply make me swoon but I have already had to take out so many of the one's I wish I could put here so this wouldn't get "Do you love the colour of the sky" long

And also, regarding your "Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives" I'll just say that no he absolutely could not. I mean he'd say that and if pull comes to shove and he has no other option then he might seriously consider it but may I mention that Wataru was gone for a few days at most but really not that long of a time during Sanctuary and Eichi stopped considering being a normal rational person that doesn't leave helpless 17 year olds in the midst of a construction site. Very different situation but I feel like it's worth mentioninh here. Another example is Eichis almost not being able to go through with the war because of Wataru. Wataru had to actively come and tell Eichi to go through with it. Wataru isn't the reason Eichi started the war, that is wrong, but he is the reason Eichi almost didn't finish it. and during the war era that was his Main objective. Again I'm part of the fraction "actions speak louder than words" Show don't tell and all that, but even the words are pushing it.

And that concludes my essay :)

[gayciate]

Keep writing Disney crossover yuri in your free time so long as you please; it's more imperative than ever

ADSFGGHFASD??? Thank you so much for this!! I must continue to contribute to the Crossover Yuri Ecosystem, rejoice - wlw be upon ye!!!!

[bribinart]

This happened a few months ago, but I thought I should tell you.

I was watching DS9 with my friend and we were on s3e2 and I mentioned that one could interpret Garak and Bashir's relationship as romantic. They had never even considered this (which was wild to me) and they were in such disbelief that they started looking online to see if there was any fanart because they honestly didn't believe me. They couldn't see them as being anything more than friends. Their stance was staunchly skeptical for a few minutes as they scrolled through dozens of pieces of art until I heard them say "Aw. This one's just called 'A late night debate.'" And I immediately knew which piece they were talking about because I love your art.

Anyway, long story long, your art was so gorgeous, characterized, and well done that it made them see the vision, and I think you deserve to know that.

THANK U SO MUCH THIS IS SO NICE I'M NEVER GONNA RECOVER FROM THIS LORD

[hella1975]

hiiii haha. hello. exceptionally awkward introduction bc idrk how to start something like this so let's just jump right in. im taking a break from this account for a bit. i know i said i wanted taob out before halloween and currently im fine sticking with that deadline, but if i decide i need longer away then i will take longer away. every time ive reassured people that id never abandon a fic and updates will always come eventually i never once considered that my writing and ability to feel safe and comfortable on this site would be actively taken from me, so im not even going to apologise. i dont want this either and more importantly i dont fucking deserve it. i dont know what it is in the past year, if ive hit a certain amount of followers or 'popularity' that's made it so the natural ratio of positive to negative interactions must in turn go up, but there's been a serious uptick in weird asks for me. the annoying part is that a very small amount of them are actually objectively mean and hateful, the rest are just weird and invasive from people who seemingly dont realise that's what they're being. ive reached a point where i dont care if the intentions are good. it's not my job as a 20 year old tumblr user of all things to defend the morality of someone who couldnt even bother to come off anon. unfortunately, after blocking only one or two anons, the weird asks have decreased substantially, which says all you need to know about the fascinating and exhilarating lives led by these people, but ive also gone on to turn anon asks off entirely. this is something i actively fought against doing and had to be pushed into by my mutuals (who have been the coolest people on planet earth during this entire thing). turning off anon was a big deal to me even if it sounds silly. i felt betrayed and like id been backed into a corner because it was so vehmently something i DIDNT WANT that to feel like i had to do it anyway for my own mental health??? that sucks. so even though ive 'fixed' the problem, im still kind of reeling and uncomfortable every time i come on tumblr. i hope it's just something i need time to ease because i'll truly be devastated if this becomes 'ruined' for me. tumblr exists as the only place in the world where i am honestly every facet of myself without shame or hesitation; losing that would be insanely harmful to me. and to the people who cant appeal to the actual human behind the post, let me put that in words you can understand: we wouldn't get any more writing 😦😦😦 riots and fires and sirens, i know. so yeah. to anyone who has sent me an anon ask and you're now wondering if you were part of the problem, im firmly of the belief that you'll know if you are. when i say 'weird asks' i dont mean 'you sent me a para about your personal life just to vent or ask for advice' or 'you sent me a really deep emotional compliment about the impact me and/or my writing has had on you' - i love asks like that, so much that i put off taking a break and turning off anon solely for the joy they bring me. im sorry that it might feel like you're being punished too bc of the actions of what in reality is a HANDFUL of weird people, but this is what i feel like i have to do to feel safe and not go insane every time i log in. love you guys, hopefully ill see you soon x

[dragon-spaghetti]

I wanna send you some nice Huskerdust Fambly asks to make up for that uncomfortable one. Does the family ever play board games together? If so, who's the most competitive?

Anon you are an absolute sweetie thank you, and I'm gonna reply to these throughout the day when I get time 🥹🥹 FOR FAMILY GAME NIGHT:

Monopoly is BANNED in this house let's get that outta the way

Husk is a master at anything involving cards or dice and 'no idc that you're my family I'm not going easy on any of you, fight me Angel (affectionate)'

Angel is salty over this lmao, sore loser

Rosé is the type to lay low the whole game then absolutely destroy everyone at the end 💀 She's also a god at shit like trivial pursuit. Fear Her

Violet is the one making sense of the rules and at least Trying to make the rest of them abide by em 😭 For things like trivial pursuit she's the one that'll usually ask the questions on the cards, if monopoly wasn't banned she'd be the dealer, that sorta thing!!

FOR THE TWINS I ASKED THE DEAR @albobeati7 FOR HER OPINIONS;

Dai is competitive AF and LOUD about it. WILL taunt you if you lose and is the SOREST AF loser! PISSY PUSSY FITS! Claims YOU CHEATED.

Ollie is very quiet, humble, and ACTUALLY not competitive at all. He's just good at board games and unfortunately is the victim of a lot of Dai's cheater rants 😭😭😭

She also says no one is winning against an Ollie & Rosé teamup and that's completely correct LOL

[laugtherhyena]

Out of curiosity, Are you able to talk about all the characters in Danganronpa Another and what you do and don't like about them?

And out of curiosity, what is your opinion on the creator?

Be ready for a lot of rambling anon because you just opened the floodgates here.

Ok so first and foremost, I don't really feel much towards Linuj himself? That's sorta of a me thing where i tend to not care much about the creators of stuff i like so you'll never see me go like "wow i love this person they're fucking awesome" or "Goddamn that guy sucks" (unless said creator has done something genuinely awful, in that case obviously I'd dislike them) at most you see me go "that's wild" or complain about writing decisions and that's about it, none of that makes me inclined towards liking or disliking Linuj as a person. Tho as much as i rant about his games i gotta give credit where credit is due, the dude manages to make two whole games prey much all by himself and I respect that honestly.

Onto the opinions on the charcters, I'll just be doing the Dra folks because it's been years since i last went through Sdra2 and since I don't like that game nearly as much as a the first one i feel like whatever I've got to say about the characters would be really shallow in comparison to the first game's cast and that's like,, not fair? In my head?So yeah, sorry Sdra2 fans, maybe some other time.

Kiyoka Maki

Kiyoka is a character i genuinely love a lot because she feels like the most perfect execution of a first victim character in a Danganronpa type game, so much so that i am genuinely appalled that Linuj just randomly decided to pick her as the first victim like, what?? She fits that role so perfect that it genuinely feels as if she was created with the idea of being the first victim in mind rather than creating the character and only assigning the role later, from her personality, to character traits and even down to her design, everything works so well together that it's insane for me to think that he created the pinnacle of first victim characters pretty much accidentally.

Regardless, the way she was written and inserted into the story never fails to amaze me but i already went into more details about that here so go check that out cuz now i wanna take this time to talk about her as a standalone character instead of just her role in the story.

Because really, Kiyoka is such a funny character! She's just this silly girl that wants to chill out and hang out with her besties but she could also shoot you square in the face from several feet away. That immense discrepancy between her talent and personality is something i always found absolutely hilarious, tho if there's one thing i dislike about her is that i wish Linuj would have explained how she got into spining in the first place? Since it's such an out there talent that Kiyoka herself doesn't even like that I can't help but wonder how that happened. Not in a "the character NEEDED this" way, I'm just genuinely curious and I'd love to know how she got herself into that pickle.

Her interaction with everyone else in the cast are delight too, i love thinking about her and the sunshine trio going around and getting into stupid shenanigans and i think Linuj did a fantastic job writtring her and Ryutaro's relationship, it's a very realistic portrayal of sibling relationship which makes me really sad whenever i think back to ch6.5 and how Ryutaro will never be able to apologize to his sister. Fun fact! The ending segment of that chapter where we see him at Kiyoka's grave was the first time I've ever cried over anything that happened in these games.

Mitsuhiro Higa

Higa is in this weird spot where I don't dislike him but I don't like like him either, it's this limbo area where I'm way too indifferent to actively dislike him so he just exists there and I don't think about him like ever and that's pretty much it.

Seriously, it's hard for me to even think about way to say in terms of likes and dislikes when it comes to him because i just. Don't think about Higa-

One thing that sorta bothers me about him is how Linuj tried to make him a bit "heroic" in that one flashbacks sequence we see in Ch6 that shows how the class was captured. It's just comes out of nowhere and it's so jarring considering not even his FTEs try to paint Higa in a nicer light. It's also really weird to me how Kizuna, the other awful person in a similar vein as Higa, didn't got any of that treatment which is just,, off.

Kizuna Tomori

And speak of the devil! Kizuna Tomori my beloved, they could never make me hate you❤️

I actually got this question about Kizuna specifically a while ago, so go read that post so that I won have to repeat myself here.

Ayame Hatano

Do you guys know Dungeon meshi? Have you ever seen people talk about how they've improved their eating habits or are generally eating and cooking more often because of how much they like Senshi, whose main character traits revolve around proper nutrition and cooking? That's literally me but exercising frequently out of how much i love Ayame.

Honestly? I feel a little embarrassed getting to talk about my liking for her like this because this is a character that's only around for like 1/3 of the game at most? If you count flashbacks scenes and extra materials like the FTEs and the IF chapter. At the end of the day Ayame is by no means an incredibly complex character so I'm not here to ramble about how she's actually really a deep and intricately constructed character and you guys just don't see it because ultimately, she isn't.

The older i get the more i realize that this is the sort of character i tend to gravitate towards in any media i consume. Very rarely do i ever become this attached to characters who are super intricate and complex, let alone main characters, i feel like even simpler characters like Ayame who has pretty normal life in comparison to others from the cast and not a lot of crazy stuff going on in her backstory have things going for that the casual fan may not notice but are absolutely worth looking into.

And it's crazy because i like quite literally everything about Ayame from her character to her design, in fact, it was her design that initially brought my attention to her because Ayame's hair is one of my favorite hairstyles to see in any character design ever (specifically the little spiky parts on the side that stick up a little) so that immediately made me like this character a bit before i even knew anything about the game other than the death order and that it came before Sdra2. And for real, i think Ayame's design is really good, simple yet solid much like the character herself honestly.

While Ayame was always amongst one of my favorites characters from Dra, I was much more into Sdra2 back when i first got into the series so for a good while my liking for her wasn't as imense as it is nowadays, but it was definitely more than i liked any other character in the first game though i could never quite place my finger on why i liked her so damn much. It was only when i got back into the another series years later that i was hit with a wave of emotions as i remembered how much i adored this character and looking into her again with a better understanding of things made me finally piece together what made me love her so dearly. Spoiler alert, it went much beyond my dumb teenage self pointing at the phone screen and going like “she's just like me fr‼️” to the point that nowadays i really don't relate to Ayame as much as i used to back then, i guess a good term to describe her would be a comfort character of mine but that doesn't feel that right to me either? I think this level of attachment to a fictional character goes beyond that like she has a special place in my heart and I think by now I've rewatched Ch2 more than any other person in this fandom-

I think what i love the most about this character is the inherent contrast within her, one so prominent that it goes as far as blending into her sprites and expressions, she appears as a serious and maybe even a little intimidating person upon first impressions with Yuki and while those are indeed parts of her Ayame is also a caring girl with a huge heart she's just a little awkward.

She struggles quite often when it comes to communicating and socializing with her peers but i cannot stress enough just how much Ayame cares for her classmates even though she's not the best at showing that, and don't mean just Akane (though she's by far the person she was the closest to). In the Ch2 post trial we learn that Ayame had actually been affected pretty heavily by the first motive video the cast was given yet she kept it to herself which when taking into account how she wishes for the rest of the class to get along as she's leaving for her execution reads to me as Ayame genuinely caring for the others as well to the point she wanted them to see her as strong so that they could also remain strong amidst the despair, and if that isn't enough to show her care then just look at the fact that this girl went as far as reopening an old wound on her leg, one that brought her so much pain and despair in the past, as a means of apology to all of them in case she managed to win the class trial (+ i personally believe this was also a self inflicted punishment for killing Kizuna since Ayame is well aware that she could have tried to save her instead of leaving her to bleed out with a knife on her neck, but that's more on the interpretation side than in-game implications.)

And this is where the nuance of this character comes in because while Ayame is a good person at heart, and a courageous and determined one at that, she's not beyond being cruel and getting her hands dirty in order to protect those she loves, but amidst this desire there's also a heap of selfishness in her acts that Ayame herself admits in the post trial as being the reason why she didn't just admit she was the killer from the start. She killed to spare Akane's life from an unavoidable execution but at the same time she wasn't free from the urge to take that as a chance to leave hope's peak academy herself and that's just,, ough man i love when characters can be brutal yet kind, selfless and selfish at the same time and i think this conflicting aspect of hers is what truly makes this character special.

So much so that i feel like if you just look at chapter 2’s case purely from a “clean” perspective where Ayame wanted to save Akane and there's not much more to that then you're missing out on the most interesting aspect of both the trial and her character and if that's as deep as most viewers tend to interpret her actions then it's no wonder why she's commonly deemed not very memorable and tends to be reduced to her relationship with Akane.

Yes, what she did was noble and it truly showed just how much she cared for Akane when she was willing to give up her own life and dreams for the future if it meant sparing her from a terrible fate, but you can't just gloss over the fact that at the same time Ayame had the selfish desire to use that as an opportunity to escape, and most importantly in my opinion we shouldn't ignore the fact that this sacrifice came in the form or brutally murdering someone she had the opportunity to try saving. It's just as cruel as it is noble yet simultaneously intertwined with Ayame's own selfish desires and wow! This character makes me unwell❤️

So yeah, in conclusion i like Ayame a whole lot and i wish more people would acknowledge the fact that she's kinda of a little freak too.

Kakeru Yamaguchi

So Kakeru is a weird one, in concept i like him quite a bit! I love the gentle giant archetype and i think the idea of him switching into a more assertive and loud personality in trials is really cool, but much like Kakeru as a whole, that is pretty underutilized and results in a character that could have been so much better than what we actually got in game.

I get the feeling that Linuj didn't really know what to do with Kakeru, he had a handfuls of ideas but there was no proper execution for them and he so he was sorta just,, there for the ride. I think what bothers me the most is how dumb he is in the trials, sure, DR trials aren't at all similar to the real life ones he would have been used to going to due to his talent, but that doesn't excuse the fact that Kakeru is surprisingly dumb in both the trials he's in when he should at least be able to argue and bring more to the table than just be another one of the characters that goes "i don't get it" or says something blantantly wrong for Maeda to refute. + If he smarter than that then maybe he could have been one of the characters to oppose Tsurugi more directly, since he is a lawyer and Kinjo has his "all criminals are scum" mentality. It would have fit well in with the characters and storyline but because Kakeru is such a nothing burger that role ended up being passed to Kinji since he's one of the few smart characters in Dra.

Still, none of that makes me dislike him it's just a little disappointing and ultimately makes him one of the people I don't think about very often but he's still a pretty sweet dude who i think it's pretty silly and funny in his interaction with the others from the cast so yeah, he's neat :]

Kanata Inori

You know, Kanata wasn't a character i originally thought much about but the more i looked into her the more i started loving this character, simultaneously, i felt disapointed of how underutilized she was in the story, but I'll get into that later.

Kanata is just such a sweetheart and you can really feel how much she cares for everyone during her interactions with the cast during the storyline, she's also quite useful in the trials she was in seeing as she was able to perform autopsies and give Yuki information that he probably wouldn't have known otherwise which more often than not ends up being pretty decisive in figuring out who the culprit is. I also really enjoy her backstory and how Ando's kindness in working to save her life despite the borderline nonexistent chances of her making out alive inspired her in such a way that Kanata decided to pursue a medical career so she could bravely save people just like he saved her! They're one of the sweetest family relationships in this series in my opinion so much so i get so sad whenever i rewatch ch6.5 and get to the part where Ando talks about Kanata and how she's an amazing kid :(

Much like Kakeru, the one thing i dislike about this character is that she was ultimately underutilized in the story, but whereas Kakeru's came from the fact that his character is an unorganized mess of ideas, Kanata had things going for her, they just weren't shown through most of the time she was on screen for whatever reason. Seriously, why was she reduced to the emotional character who cries all the time? I get that she's very nice and cares a lot for her classmates but c'mon, she worked at a hospital she should be able to deal with the situation at least a little better instead of bawling her eyes out whenever something bad happened.

Kanata hit a yakuza member on the head in the middle of a gang fight so that she could treat him properly once, she can be fierce and assertive when the situation calls for it, so why did she never do that in the main story?? This is absolutely baffling to me because it genuinely does such a disservice to the character and can end up driving people away from learning more about, like if i wasn't writing for an AU where she was a major character during the time she was alive I don't think i would have looked deeper into this character and learned how incredible she is because the main story made me think of her as just "the emotional one who cries all the time".

I also feel like it was a missed opportunity to not have her being the one who died trying to save the other ch3 victim. Like c'mon, her backstory shows us how she can often put other's safety before her own, that would have fit so well.

Kinji Uehara

Just like Kakeru, he's also a character I don't think much about but that comes from personal preference rather than feeling as if he was underutilized in story. Kinji just isn't the kind of character i tend to pay much mind to and that's ok! I do think he's a pretty interesting character, with his deal with the orphanage and also being the traitor in the game, i also enjoy how he always made his opinions clear to everyone like when he left the group because he didn't agree with Tsurugi's way of going about things and how he stood up against him and called him out in his hypocrisy in the Ch3 post trial.

If there's one thing I don't like about Kinji's is how linuj structured his murder plan, his method are SO violent for a character who had a noble motive and wasn't just some kind of crazy serial killer. Kakeru's make sense, since he was trying to stop him as fast as he could but i just don't understand why he still went on to kill Kanata when he had already killed someone (which was all he needed to do according to his deal with Monokuma), we're never told that Kanata saw it was him who attacked her, so why did ge insist on killing her anyway? Just because he had the plan set already? A plan that was also uncharacteristically brutal for a guy like Kinji. Seriously, when i first spoiled myself of all deaths in this game i got to Ch3 and thought "oh so he's the token crazy serial killer character" and while i was happy that he wasn't that, it's jarring that he got so violent out of nowhere + his breakdown in trial also feels pretty out of character in my eyes.

Haruhiko Kobashikawa

See, Haru is a cool guy, him Satsuki and Teruya (for a good part of the game) are essentially DRA's comedic relief characters and I've always had a big soft spot for those in DR games, when my faves inevitably die really early it's there character's inclusion that keep me watching the rest of the game!.. And then they die and struggle to get myself to watch the final chapters because most of the remaining characters are people I don't care nearly as much for- (thank god Ch5 has Mikako and Teruya survived the whole game)

But the thing is, when it comes to Haru himself I don't actually have much to say about him? He reminds me a lot of Kiyoka in the sense that he's a pretty normal guy for his age with a really out there talent that he's crazy good at. I think where Haruhiko really shines is not in his actions during Ch4 (tho that was amazing too, i can totally see why this is so many people's favorite chapter/case in Dra), but in his interactions with the other character because pretty much every single one of them are just so endearing to watch, regardless he's just being a dumbass or getting into trouble, in fact! I quite enjoy how he's a little hot headed (not sure if that's the right term)? The dude stands his ground and is not afraid of getting into fights if something's bothering him a lot, tho his own shortcomings and paranoia can often get the best out of him and he'll be sorta of an asshole and makes him feel so real to me, like he's just some dumb teen bound to make mistakes in a dangerous situation like the killing game and i really like that.

If i had to think of one thing i dislike about him I'd say is how he was characterized in the Ch6 flashback segment, like, by that point him and Satsuki are a couple right? So why was he trying to hit on the random Kisaragi fundation worker? That's not necessary out of character for him, but it's really weird that he's doing that despite havinya girlfriend of her own (smh Haru, i expected better from you).

Satsuki Iranami

Satsuki isn't a character i talk about a lot but i like her a lot! Not only is she a genuinly funny character who i love seeing her interactions with pretty much anyone in the cast, but i find her relationship with her family and the way she goes about it really interesting. I think anyone who've seen Satsuki's FTEs can tell that her family is insanely abusive, creating an environment of making their kids compete and compare themselves to one another on who's the best clown and treating Satsuki like absolutely garbage since she's considered the worst of them. Hell, I'm pretty sure they only sent her to hope's peak so they could get rid of her since she was of age to attend which is just,, damn. This is a fucking awful place to grow up in.

Yet Satsuki herself isn't a sad person nor do we ever see her get really depressed and upset when talking about her family, at most she looks a little sad and, unfortunately, agrees with them that she's the worst of the clows while sticking to not crying or sulking about it, instead she goes on to keep being silly and joking around which has always striked me more as a coping mechanism instead of "Satsuki it's too stupid to realize how terrible her family situation is" because as goofy as she is i do get the feeling that she knows her situation is absolutely awful but doesn't know a great way to cope with it other than what she's already doing.

And this seeing this strange coping mechanism explains so much about the way she acts in the killing game, she keeps joking around even during trials or when faces with murder motives because she just wants to remain happy and tries to see if maybe doing so will lift up the spirits of her classmates as well. Not saying that this is by any means a healthy coping mechanism, like, no, Satsuki girl it's okay to cry and be upset over terrible things, be it her family situation or the killing game, but this is nevertheless the most fascinating aspect of this character to me.

And once you take that into accound, it makes perfect sense why she was choosen to be sorta the "hope beacon" of the cast in Ch4 because really, that's just what Satsuki's Been doing the whole game. Tho i do wish this aspect was given more of a spotlight even in Ch4 itself because on first watch (without going through her FTEs) it felt a little jarring to me how Satsuki "randomly" became really important, but i consider that more of a nippick in comparison to other things I've complained about here.

Yamato Kisaragi

Oh right, this guy! He exists in the same indifference limbo as Higa but only because I don't think about him that often (so much so i forget he exists sometimes) because whenever i do think about him he gets violently pushed onto the active dislike section. Which is really funny to me considering Yamato is the perfect and super cool genius guy of the first another game, and that's a big point on my lack of care for him. The game insists in telling us how awesome Yamato is, how all of his classmates like him and how much of a hero he was for try to save them both in the Ch6 flashback and in the IF chapter, and i think that's exactly what made me feel such insane annoyance/repulse towards this character to the point that I'll see him and just groan and roll my eyes.

He's a character the story actively wants us to like but he's just so bland and generic that this push just annoys me and i feel nothing towards him as a person, the fact that we barely see him be himself in the game doesn't help either since he died almost as soon as he's introduced and all we have are flashbacks, the other character's opinions/memories of the guy and his Ai version. And even when we do see Kisaragi be himself in the IF chapter, his role there is like,, textbook generic anime nice guy protag and i just feel?? Insane???

His bland ass is like a piece of wet cardboard to me that i see people point at and act like it's the coolest thing ever and i just look down at it in my hands and think, i don't get it. I don't see it.

And don't even get me started on how Linuj fucking side lined Mikako's role and character in favor of giving this guy the spotlight by having him come in as if he's the goddamn saving grace of the killing game and solve all the mysteries that were set and build up BY ANOTHER CHARACTER, because nooooooooooo we can't have Mikako do that, it has to be Kisaragi because he's THE. GUY. EVER. ISN'T HE JUST SO FUCKING AMAZING EVERYONE????????

This makes me. Genuinely so mad and since I'd rather not pop a vein while raging as i write this go look at this post if you wanted to see me ramble a little more on this part.

Wow, after this it's tricky for me to even think of a positive to say, uhm.. I guess his relationship with Mikako is nice? I do like how it genuinely seems like they care a lot for one another tho sometimes this care can come off the wrong way and lead to arguments between the two, like how Yamato was avoiding and being rude to Mikako during that flashback sequence i keep mentioning over and over even tho she could tell there was something wrong with him and just wanted to help. They're sweet and tragic when thinking about how they met their ends but I can't feel much on that regard seeing how many,, feelings. I have towards Yamato.

Mikako Kurokawa

You know i feel like we as a fandom don't talk enough about the horror that Mikako goes through during the killing game. She never lost her memories, she remembers these people being friends and having strong bonds with other another and she's just forced to sit there and watch as they forget everything and murder each other without knowing of what she knows, and if Mikako does as much as try to say a few words regarding what she knows her head already starts splitting into two and she'll have headaches so bad they'll make her pass out and puke blood. And that's without counting the fact that she's left completely in the dark about her brother's whereabouts through most of the game and when she does reunite with him is in the worst way possible because Yamato’s mental state is even worse than hers and he dies not long after with her being blamed for his murder. She had the worst time ever in that game and i feel like it really isn't an understatement to say she suffered through the whole thing.

And that's where Mikako's spirit really shines because despite all the pain she went through, both physical and mental, she always held onto hope and wanted to help her friends even if her options were incredibly limited. She cared for each and every single one of them to the point she even wanted to try and save Yuki and Akane even though she knew they were the masterminds because she thought that with their memories erased they could embrace hope as well and come out of that as better people, and in her very last moments she still wished to help the remaining characters and kept talking even though she knew it would kill her. That's such an insane level of courage and determination from her part that it never fails to impress me.

She's such an insane character I can't help but feel like we were robbed when she died, especially when it happened before she could unravel all the mysteries Mikako had help build up through the entirety of the game and instead we get her amazing and so cool brother doing that and getting all the spotlight instead of Mikako herself.. How nice.

But i think what bothers me the most about her death is that it was so?? Unnecessary?? Like, what did it do for her character arc? It feels like she died more because Linuj wanted her to die than because it felt fitting for the character’s journey to end where it did, and you can't tell me it wouldn't have been awesome to see her in Sdra2 and how she'd react learning that her shitty mother was one of the reason why that second killing game happened in the first place.

I explained my thoughts on Mikako's death in a nicer manner in this other post so please go check that out because I will never not be upset over her death in this game, especially when her execution ends in a way that she would have survived if she wasn't already dead by the time started.. that just felt like an unnecessary fuck you from Linuj’s part-

Akane Taira

Another character I've rambled about in the past and so don't feel like reiterating it all here (this post is getting REALLY long), so yeah, check it out but tldr, I think Akane is a really cool character and i think writing her so frequently in -2+2 has made me not only get a better understanding of her character but also like her a lot more too!

Yuki Maeda

As y'all know, Dra Yuki>>>>>>>>Sdra2 Yuki always and forever in my heart ❤️

Seriously, for someone who tends to really not give a fuck about the protagonists in DR games it genuinely surprised me how much i grew to enjoy Dra Yuki after i went through the game's full translation and realized “Woah! He isn't the same universal punching back as the Sdra2 one!” Because prior to that i was under the impression that both Yuki acted and were treated the exact same by the game's storyline and as you can probably tell I don't like Sdra2 Yuki all that much.

Dra Yuki differs because not only does the game not try to force the horrors upon him constantly but he feels very human in his actions, he's just some guy not the embodiment of good or a hope hype man so he's bound to get a little sick of this shit sometimes and make mistakes. We see this during Ch4 in his argument with Akane and also in Ch2 where he decides to break the groups trust by reading the secret note anyway which later comes back to bite him when the cast finds out, and this really stood out to me and made him instantly more interesting than other protags in my eyes, although I'm pretty sure this nuance of his character was done as a way to foreshadow his reveal as Utsuro/The mastermind.

Either ways, it ended up creating one of my favorite protags of any DR type game + i do really like the twist of the protagonists being the mastermind at the end of the day, it was something super unique by the time Dra first came out and it's still something i haven't seen be done in any other fangan (tho to be fair I don't look much into those anymore nowadays-)

It's hard for me to pick something i dislike about him since he's overall just a neat guy in my eyes but if i had to pull something I'd say he constantly taking Tsurugi's side feels kinda annoying at times? Sometimes it feels like he just glosses over some of the nasty stuff Kinjo says, like when he questioned why the group for kicking out Kinjo in Ch3 as if he hadn't just told Akane to kill herself right after she saw her best friend be grinded into minced meat. Like okay buddy i get that you see good in Kinjo and you wanna help him, but he really deserves to get a good slap in the face sometimes and the others are rightfully mad at him.

Utsuro

Not much to say here honestly, i feel like i like the idea of Utsuro and what he brings to the table in terms of world building, how his presence and powers affect the others around him and even the story itself. The idea of someone with insane luck powers he can't control that made his life miserable since he could achive literally anything with no effort and everyone he met only wanted to exploit said powers which led to him falling into the despair ideology since by that point it was the one thing that made him feel something it's just so,, wow man, thats some crazy angst and such an unique way to explore the borderline magical luck that exist in the DR franchise.

I love thinking about him in that vein but as a character?.. Erh, i really don't care nor think much about Utsuro at all. Which in a way, i suppose isn't all that different from how the world saw him in universe? How ironic.

Teruya Otori

By far my favorite out of the survious though I'm not sure how to explain why i like Teruya so much? I feel like part of it comes from the soft spot for comedic relief characters i talked about earlier and the rest from the way he was written in the story.

It's crazy because i feel like Teruya's writing in itself really highlights the changes in the way Linuj viewed and went about characters by the time he started working on Sdra2, i feel like if Teruya was a character that originated from that game he would be portrayed as a bad person who you shouldn't sympathize for even though he has his reasonings for acting the way he does sometimes, sorta like how Linuj tends to punish Hibiki even tho she was the bigger victim at the end of the way.

Just like Haruhiko he feels very real to me and his character arc through Dra has gotta be one of my favorites. Teruya is not a bad person, he's a good kid at heart but the severity of the situation they're in and the stuff that gets forced upon him gets to him a lot which leads to Teruya lashing out at his friends and doing some pretty bad things here and there, yet he's never portrayed as an awful person that shouldn't be forgiven or shit and he does change for the better at the end of the day. He went through a lot and came out bigger and stronger on the other side and is a shame this kind of character arc isn't properly used in Sdra2 since Linuj's mentality became so black and white out of nowhere.

I love this little guy, I'm so glad he survived the killing game though unfortunately the same can't be said for the second one but honestly? Teruya's entire role in that story was such a mess, and sometimes even a detriment to his character in my opinion, that nowadays I can't even feel that sad over his death anymore. While there are a handful of things that bother me a lot about it, like the amnesia plot just because Linuj seems to hate actually building up to things in that game and his entire role in ch4 (seriously. What was that. Why.), i think what i dislike the most is the fact that he ended up being permadead while Rei escaped the killing game fine.

I know Linuj actually gave a good explanation to why it happened (unlike Mikako's barely explained sudden brain explosion), but still, it feels like such a mean thing to do to someone who's been through so much and still tried his hardest while being in a dangerous and unpredictable situation. My guy was done dirty in that game.

Rei Mekaru and Tsurugi Kinjo

Grouping these two together because i feel like my opinions on both of them are not only pretty much the same but they also stem from the same place, so yeah-

Don't get me wrong, these two are very interesting characters and I'd argue they're one of the more complex ones in the cast as well, not only because they make it through both games but also because of their own personal backgrounds and how that shaky upbringing affected the kind of person they became as they grew older. With Tsurugi living under his father's black and white ideologies of criminals being deserving of death no matter what and falling deeper and deeper into that the more friends he loses during his life and Rei being abandoned (albeit unintentionally?) by her parents at an young age which led to her working hard to get where she's at now which not only made her quite used to being on her own but also loathe those who "take the easy" way and want all awnsers handed to them on a silver platter, which explains why she's so rude to the rest of the cast since she wants them to figure out stuff on their own too.

There's a lot to look into these characters and it makes sense why so many people like them a lot, I'm however not the biggest fan of this type of character (tho i feel like that lies more in their personality than anything else?) so i never looked much into them before i started writing DRA -2+2 and decided to look into everyone in the cast to get a better grip on their characters. And man, writing these two really did give me a newfound appreciation and love for them! They're such fun characters to write and have interacting with the rest of the cast. Tho i wouldn't by any means say i have a proper understanding of them, i feel like that's a bit out of my league still.

If there's one thing I'm not a big fan if is that i wish we would have seen more of those two in Sdra2 instead of them just having a major role in Ch6, AKA; the messiest chapter in this entire series. Like, would it have hurt that badly to not have the Void theather segments and instead cut to small scenes at the Kisaragi foundation showing what the characters are doing and how they're reacting and planing to go about interfering with Mikado's killing game? I feel like that would have been so much more interesting than watching Emma bother Hajime with bad puns while Nikei and Iroha continue being the same assholes they've always been + it would have made Tsurugi's backwards development less of a shock to see whenever Ch6 actually rolls around.

Anyways, to wrap up this massive post here's what i hope will be the definitive Carol Dra cast tierlist

[skeletalheartattack]

hi I like gelato a lot

[boyfridged]

You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.

Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.

I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.

Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.

oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.

tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.

and the long, long version, coming with panels and quotes: under the cut.

first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.

i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.

bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)

i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"

this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.

so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.

the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."

the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.

but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.

so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.

that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.

we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.

the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.

and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.

which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.”  to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.